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Lal Sirinivas and Mirando Obesekara described Sigiriya as a post historical archeology turning point of Ravana. According to them, Sigiriya may be the Alakamandava (the City of the Gods) that was built up before 50 centuries ago by King Kubera who was the half-brother of Ravana (Ravan) as described in the Ramayanaya.
According to the Palm Leaf Book (Puskola Potha) of Ravana Watha (About Ravana) the architect of the Sigiriya was a person called Maya Danava. He built up Sigiriya on the instructions given by King Visthavasa (Vesamuni) the father of Ravana. During that period the Sigiriya was called Alakamandava and during the period of King Kuwera it was called Cithranakuta. After the death of Ravana, Vibeeshana became the king and he shifted the kingdom to Kelaniya. As per this book, Chiththaraja had used Alakamandava as his residence. Chiththaraja was a relation of Vibeeshana and a Patrician of Yakka. It was also stated that Chiththaraja was one of a persons who helped Prince Pandukabhaya to get the kingship. Parents of Pandukabhaya were descended from the tribe of Chiththaraja.
In addition, Ravana Watha was also described that Prince Kassapa who was the son of King Daathusena has selected the Chithrakuta as his residence due to the fact that her mother was a follower of Yakka belief and also she descended from them. King Kassapa was the only king who did reconstruction and maintained the Chiththakuta as done by the king Ravana. The famous wall paintings in the Chiththakuta ( Later Sigiriya ) can be treated as displaying about the Sinhala Land i.e. Sri Lanka. The Ravana Watha explains that the picture of blue coloured lady represents the Yakka Tribe and other ladies represent the Tribes of Naga (Cobra), Deva (Divine) and Gandabhbha (Odors) and the beautiful flowers show the unity of the country.